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【动态】“唯物思维” 首届国际当代材料艺术双年展

2022-11-23 12:35:13 来源:艺术家提供作者:
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https://img10.artimg.net/public/beian/jpg/202211/ff04f0abe3795321430643f250394898.jpg

首届国际当代材料艺术双年展

1st International Contemporary Material Art Biennale

青岛展区

青岛云上海天艺术中心

Tsingtao Haitian View & Art

2022.12.2-2023.2.27

约展出70件/组作品

北京展区

北京南池子美术馆

Beijing Nanchizi Museum

2022.12.17-2023.3.5

约展出60件/组作品

主办: 清华大学

Host: Tsinghua University

承办: 清华大学美术学院当代艺术研究所

Organizer: Contemporary Art Institute, Academy of Arts & Design, Tsinghua University

学术支持:《清华美术》、国际材料艺术研究(IMAS)

Academic Support: Tsinghua Art, International Material Art Study

  展览序言

  彭刚 教授

  双年展总策划、清华大学副校长

  Prof. Peng Gang

  General Director of the Biennale

  Vice President of Tsinghua University

  塔特林用钢铁和玻璃为第三国际构建纪念塔(1919-1920)时,提出使用“真实的材料在真实的空间中”,虽然这项设计成为未竟的事业,但“塔特林塔”却成为人们心中一座象征着理想主义的艺术丰碑。百年后的今天,随着时代的发展和科技的进步,我们对物质世界的认识更加丰富和深入,唯物主义再次出发,一股新唯物主义的浪潮兴起,它让我们重新理解物质,重新重视物质因素在塑造社会和表达人类愿景中的作用。

  With the notion of using “real materials in real space”, Vladimir Tatlin used steel and glass to construct the monumental tower for the Third International (1919-1920). Although his design was never fully realized, Tatlin‘s Tower continues to stand as a symbol of utopian aspirations in people’s hearts. Today, a century after the tower‘s conception, we have a richer and deeper understanding of the material world because of the developments of modern society and science. In this new era, we are thrilled that a wave of what we call New Materialism has emerged, which encourages us to reopen the issue of matter and to give material factors their due in shaping society and human prospects.

https://img10.artimg.net/public/beian/jpg/202211/ca5367fc68f0ff413f14a2dc175997ba.jpg

白明《叠加的关系》陶瓷 52×12×28 cm

即将于青岛云上海天艺术中心展出

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王家增《物的褶皱87、88》综合材料 162×122 cm×2

即将于北京南池子美术馆展出

https://img10.artimg.net/public/beian/jpg/202211/c6f24c93a4bd631ec3a2dd127e34352d.jpg

Åsil Bøthun(挪威)《猎犬》混凝土/纺织纤维 60×15×40 cm

  即将于北京南池子美术馆展出

  新唯物主义着眼于最新的物理学、生物学研究成果,重新审视我们对物质的惰性认识,赋予其能动、偶发、灵性的一面。它思考物质性是如何塑造我们的生活,以及我们与自己、与他人、与世界的关系,反思现代性所主张的人类中心主义,从而转入后人类主义的生态发展语境。着眼于当代艺术的发展,我们提出回到材料,重新建构和理解当代艺术,既是对当代艺术中过分强调观念的一种反拨,也是希望通过材料的视角打开不同的可能,期待不同的声音,包括长期被主流艺术话语边缘化的东方的、第三世界的、女性的、地域性的、少数族群的声音等。

  New Materialism focuses on the latest physics and biological research, and transforms the understanding of matter as an inert substance into that of living matter - which is active, creative, productive, and unpredictable. It re-examines the influence of materials shaping our everyday relationships to others, to ourselves, and to the world. We propose to reconstruct the perception of contemporary art from a material perspective, which is not only a response to the current overemphasis on concepts in the contemporary art world, but also a way to open up new possibilities through the lens of materials. We also welcome different voices and minorities that have been previously marginalized by mainstream art discourse, such as voices from the East, the Third World, and women.

https://img10.artimg.net/public/beian/jpg/202211/47d12742709bab1605e1f7f6abc4d673.jpg

董书兵《河运国安 & 构》PVC管 50×25×70 cm; 50×30×80 cm

即将于北京南池子美术馆展出

https://img10.artimg.net/public/beian/jpg/202211/4019d3580aa585176afc8cd20ef303c3.jpg

Tina Struthers(加拿大)《暗流》茶包/开心果壳/刺绣线/棉布衬底 225×300×4 cm

即将于北京南池子美术馆展出

https://img10.artimg.net/public/beian/jpg/202211/ffb28ab170d66acc8d968431e28eaffb.jpg

Sun Young Kang(韩国)《永线》棉线/镜子片/泡沫板胶水/糖粉 尺寸可变

即将于北京南池子美术馆展出

  展览主题“唯物思维”与英文主题Material Thinking相辉映,既体现了“新唯物主义”视角下物质材料的主体性和能动性,也希望将唯物的思维方式和质性的研究方法引入当代材料艺术的探索中。这种“唯物思维”的方式与中国传统文化中的“天人合一”、“齐物”、“格物致知”等观念不谋而合,艺术家由此在“物我两忘”中完成艺术创作。这种物质与生命一体化的认知方式也升华了我们对作品的物性存在的认知:艺术家以形式开启质料,从而敞开了一个世界,并把我们卷入其中,进入一种“神与物游”之境。

  Material Thinking is the fundamental concept of the exhibition, which focuses on the subjectivity and dynamism of materials, and introduces qualitative research into the exploration of contemporary material art. Material Thinking is, in part, inspired by traditional Chinese cultural concepts which explore the harmony between man and nature, the equality of all things, and the acquisition of knowledge through the observation and comprehension of life experiences. The artist thus completes the artistic creation by integrating “self” with matters. The way of perceiving the integration of matter and life directs our perception of the physical existence of a work of art: the artist enlightens materials with forms/shapes, opening up a world where the minds and imaginations can freely engage with the art objects.

https://img10.artimg.net/public/beian/jpg/202211/f7abf403ad433586dabec3497f598f88.jpg

陈琦《本质的起源》木板综合材料200 × 600 cm

即将于青岛云上海天艺术中心展出

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陈焰《七天》银盐胶片刻画300×84 cm ×7

即将于青岛云上海天艺术中心展出

https://img10.artimg.net/public/beian/jpg/202211/7f7e41657898abb9b410608943bbee50.jpg

李鹤《肉身·呼吸》彩色线缆100×28×26 cm

即将于青岛云上海天艺术中心展出

  同时,材料语言是一种共通的语言,一旦被赋予具有表现力的艺术形式,就可以打破不同语种的隔阂和观念的樊篱,让平等的沟通与对话成为可能。因而当首届国际当代材料艺术双年展作品征集信息发布后,我们欣喜地收到了来自全球80个国家和地区的两千余件报名作品。国际同行的认同和支持也让我们感到以“材料的视角”和“物的维度”来建构当代艺术的新路径、新理论与新格局的前景与可能。特别是在全球疫情维艰的岁月里,这场双年展由发起到筹备、再到最终落地举办历时3年有余,其能在艰难困苦之中玉汝于成、破茧成蝶,既得益于各国艺术家、学者对这项事业的鼎力支持,也更因其揭示了一种趋势,合乎艺术发展之逻辑与真谛。

  Meanwhile, the language of materials is a universal language, and once it is given a form through works of art, it can break down the barriers between different languages and conceptions, making universal communication and dialogue possible. Thus, when the call for works for the 1st International Contemporary Material Art Biennale was released, we were delighted to receive more than 2000 submissions from 80 countries and regions throughout the world. The recognition and support from our international colleagues deeply empowered our vision and inspired the courage to construct new paths, new theories, and new patterns of contemporary art through “material perspective” and “objecthood dimension”. This biennale, which was launched amid the global pandemic, took more than three years to be realized - from its initial conception and long preparation to the final event. Its success, in the midst of hardships and difficulties, is due to the full support of artists and intellectuals from all over the world, but also because it reveals a trend that is in line with the logic and inner truth of artistic development.

https://img10.artimg.net/public/beian/jpg/202211/f3cf80e2ead07b8b6cc8b6839f6c4f40.jpg

顾黎明 《山水赋-仿张僧繇〈雪山红树图〉》卡纸上色粉/墨/树脂胶等 107×77cm ×3

即将于北京南池子美术馆展出

https://img10.artimg.net/public/beian/jpg/202211/b7acc1c295fc23faf8444670739c8133.jpg

孟禄丁《朱砂》黄麻矿物质颜色 100×70cm ×2

即将于青岛云上海天艺术中心展出

https://img10.artimg.net/public/beian/png/202211/bd10d27dc400a28a7102b32047800677.png

程向军《中国医书》漆画120×90 cm

即将于北京南池子美术馆展出

  伟大的艺术作品是民族的,也是世界的。我们希望通过“唯物思维”国际当代材料艺术双年展的创办为各国艺术家、学者提供持续的交流与研究平台,分享和借鉴不同民族、不同国家的艺术成果,在材料艺术的探索中凝聚人类共同体的生命情感与智慧。祝愿这场发轫于清华大学的国际材料艺术运动能够带着世界各国艺术家和学者对材料艺术的热爱共建新时代的艺术之塔、理想之塔与心灵之塔。

  Great works of art belong to both their nations and the whole world. We hope that by establishing the International Contemporary Material Art Biennale, we will be able to provide a platform for artists and scholars from different countries to continuously exchange and research ideas - where they can share the artistic achievements of different peoples and countries, and express the emotions and wisdom of the human community through the exploration of material art. We hope that this international material art movement, initiated by Tsinghua University, will bring artists and scholars from all over the world together to build a tower of art - celebrating ideas, imaginations and creativities inspired by this new era defined by love for material art.

https://img10.artimg.net/public/beian/jpg/202211/d30553bf75457533687035e91eea3d14.jpg

(左)Paweł Kiełpiński(波兰)《空间解剖学》羊毛 200×200×200 cm

(右)许正龙《凳之根》综合材料 高120cm

即将于北京南池子美术馆展出

https://img10.artimg.net/public/beian/jpg/202211/9649b6bd7fcbbd232042c21d2e8bff16.jpg

郅敏《大暑》陶瓷/金属120×40×70cm

​即将于青岛云上海天艺术中心展出

展览组织委员会

Organizing Committee

  总策划: 彭刚

  General Director: Peng Gang

  学术主持:马赛

  Academic Host: Ma Sai

  总策展人: 张敢

  Chief Curator: Zhang Gan

  执行策展: 梁开、尤维塔·撒克朗斯凯特

  Executive Curator: Liang Kai, Jovita Sakalauskaite

  展览统筹: 陈燕、雅行

  Exhibition Coordinator: Chen Yan, Ya Xing

  展览执行: 袁媛、刘震、冀文渊、贺强、张瑜洋

  Implement: Yuan Yuan, Liu Zhen, Ji Wenyuan, He Qiang, Zhang Yuyang

  视觉设计: 刘德坤

  Visual Design: Liu Dekun

  展陈设计: 王建 & 艺清文创设计工作室

  Exhibition Design: Wang Jian & Art Tsinghua Design Studio

  图录撰写: 梁开、谢泽豪、刘飓涛

  Catalog Writing: Liang Kai, Xie Zehao, Liu Jutao

  翻译校对: 卡塔日娜·萨迪伊、梁开、孟彤

  Catalog Translation: Katarzyna S?dej, Liang Kai, Meng Tong

  论坛组织: 尤维塔·撒克朗斯凯特、梁开、王瀚生

  Symposium Organizing: Jovita Sakalauskaite, Liang Kai, Wang Hansheng

  公共教育: 郭歌

  Public Learning: Guo Ge

  媒体宣传: 孙亚楠、李冬迪

  Media Promotion: Sun Yanan, Li Dongdi

  市场推广: 辛雯、陈雪、孙顺子、赵文婷

  Marketing: Xin Wen, Chen Xue, Sun Shunzi, Zhao Wenting

  展览运营: 周雨濛、赛颖颖

  Exhibition Operations: Zhou Yumeng, Sai Yingying

  影像视频: 北京何人传媒有限公司

  Video: IY studio

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